The Twelve

An Anthem for the Feast of Any Apostle

for SATB soli, mixed chorus, and organ (or orchestra)


General InformationPerforming ForcesManuscriptPublicationRecordingsText


General Information:

Composition:
Completed by March 1965. Walton orchestrated the accompaniment later that year.

First Performance, Original Version:
16 May 1965. Choir of Christ Church Cathedral, Oxford. Sydney Watson conductor, Robert Bottone organ. Christ Church Cathedral, Oxford. Evensong service.

First Performance, Orchestral Version:
2 January 1966. Westminster Abbey, London.

Duration:
About 12 minutes

Text:
W. H. Auden (1907–73). Written in 1964.
Click here for complete text.

Tempi:
Maestoso – Allegro – Lento – Allegro  [304 m.]

Dedication:
"to Christ Church, Oxford and its Dean, Cuthbert Simpson"

Craggs Catalogue Number:
C77


Performing Forces:

Original Version:

Double mixed chorus (SATB/SATB)
        [The manuscript specifies the minimum choir size as 16 trebles, 4 altos, 4 tenors and 4 basses.]
Optional incidental solos for soprano, alto, tenor and bass

Organ

Orchestral Version:

Soprano, alto, tenor and bass soloists

Double mixed chorus (SATB/SATB)

2 flutes, 2 oboes, 2 clarinets, 2 bassoons – 4 horns, 2 trumpets, 3 trombones, tuba – timpani, percussion – harp – strings


Manuscript:

Bodleian Library, University of Oxford. Autograph score of the original version, with organ accompaniment.

Frederick R. Koch Collection. Beinecke Rare Book and Manuscript Library, Yale University. Manuscript FRKF 599. Autograph full score of orchestral version. 45 pages.


Publication:

Oxford University Press. Vocal score, 1966, 019 3386402 (discontinued).

Oxford University Press. Edited by Timothy Brown. William Walton Edition, Volume 6, "Shorter Choral Works without Orchestra", 1999, 019 3594323. Vocal score, 2000, 019 3594412.
           
[Purchase online from SheetMusicPlus.com: Vocal score]
            [Purchase online from SheetMusicPlus.com: William Walton Edition, Volume 6]


Recordings:

Chorus, Orchestra (or Organist), and Soloists Conductor Year Compact Disc Timing
Ann Dowdall soprano, Shirley Minty alto,
Robert Tear tenor, Michael Wakeham baritone
London Philharmonic Orchestra and Choir
Sir William Walton 1966 BBC Legends 4098-2 12'13"
Choir of Trinity College, Cambridge, Richard Jackson or Graham Pearce organ Richard Marlow 1988 Conifer CDCF 164 11'48"
Westminster Singers, City of London Sinfonia Richard Hickox 1989 Chandos CHAN 8824 12'41"
The Finzi Singers, Andrew Lumsden organ Paul Spicer 1992 Chandos CHAN 9222 11'15"
Choir of Christ Church Cathedral, Oxford, Stephen Farr organ Stephen Darlington 1992 Nimbus NI 5364 11'29"
Schola Cantorum of Oxford, David Goode organ Mark Shepherd 1998 Guild GMCD 7139 11'06"
Choir of St. John's College, Cambridge, Christopher Whitton organ Christopher Robinson 2001 Naxos 8.555793 10'54"
Polyphony, James Vivian organ Stephen Layton 2002 Hyperion CDA67330 11'32"
Choir of Queen's College, Cambridge, James Southall, organ Samuel Hayes 2003 Guild GMCD 7287 11'59"

 


Text:

            I

Without arms or charm of culture,
Persons of no importance
From an unimportant Province,
They did as the Spirit bid,
Went forth into a joyless world
Of swords and rhetoric
To bring it joy.

When they heard the Word, some demurred, some mocked, some were shocked: but many were stirred and the Word spread. Lives long dead were quickened to life; the sick were healed by the Truth revealed; released into peace from the gin of old sin, men forgot themselves in the glory of the story told by the Twelve.
Then the Dark Lord, adored by this world, perceived the threat of the Light to his might. From his throne he spoke to his own. The loud crowd, the sedate engines of State, were moved by his will to kill. It was done. One by one, they were caught, tortured, and slain.

            II

O Lord, my God,
Though I forsake thee
Forsake me not,
But guide me as I walk
Through the valley of mistrust,
And let the cry of my disbelieving absence
Come unto thee,
Thou who declared unto Moses:
"I shall be there."

            III

Children play about the ancestral graves, for the dead no longer walk.
Excellent still in their splendour are the antique statues: but can do neither good nor evil.
Beautiful still are the starry heavens: but our fate is not written there.
Holy still is speech, but there is no sacred tongue: the Truth may be told in all.
Twelve as the winds and the months are those who taught us these things: envisaging each in an oval glory, let us praise them all with a merry noise.

                        — W. H. Auden (1907–73)


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